Gilles Néret Quotes

This intensely lyrical vision of the pregant woman in [i]Hope I[i] is set in an ambiguous context peopled with masks, death's heads and allegorical monsters such as Sin, Disease, Poverty and Death, all threatening the incipient life.

Some elements appear in this picture which would be decisive in Klimt's subsequent work: for instance, the use of gold and the transformation of anatomy into ornamentation, of ornamentation into anatomy.