Jonathan Lethem Quotes

How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned just a few afternoons long, in the end.As for flying, Dose never even glanced at the sky. Flying was a summer within a summer, a whim. So why think of it at all?

If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give way to whatever came after. If. If. Fat chance. Summer on Dean Street had lasted one day and that day was over, it was dark out, had been for hours. The Williamsburg Savings Bank tower clock read nine-thirty in red-and-blue neon. Final score, a million to nothing. The million-dollar kid.Your school wasn't on fire, you were.

Eighth grade's a distant rumor, a tabled issue, and Dylan knows from experience that the summer between might change anything, everything. He and Mingus Rude too and even Arthur Lomb for that matter are released from the paint-by-numbers page of their schooldays, from their preformatted roles as truant or victim, freed to an unspoiled summer, that inviting medium for doodling in self-transformation.

Insomnia is a variant of Tourette's--the waking brain races, sampling the world after the world has turned away, touching it everywhere, refusing to settle, to join the collective nod. The insomniac brain is a sort of conspiracy theorist as well, believing too much in its own paranoiac importance--as though if it were to blink, then doze, the world might be overrun by some encroaching calamity, which its obsessive musings are somehow fending off.

The voices may propel you to warble along, or to dance, they may inspire you to seduction or insurrection or inspection or merely to watching a little less television. The voices of Barrett Rude Jr. and the Subtle Distinctions lead nowhere, though, if not back to your own neighborhood. To the street where you live. To things you left behind.And that's what you need, what you needed all along.

By trying to export myself into a place that didn't fully exist I asked works of art to bear my expectation that they could be better than life, that they could redeem life. In fact, I believe they are, and do. My life is dedicated to that belief. But still, I asked too much of them: I asked them also to be both safer than life and fuller, a better family. That they couldn't give. At the depths I'd plumb them, so many perfectly sufficient works of art would become thin, anemic. I sucked the juice out of what I loved until I found myself in a desert, sucking rocks for water.

I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.