Louise Penny Quotes

The reason Armand Gamache could go there was because it wasn't totally foreign to him. He knew it because he’d seen his own burned terrain, he’d walked off the familiar and comfortable path inside his own head and heart and seen what festered in the dark. And one day Jean Guy Beauvoir would look at his own monsters, and then be able to recognize others. And maybe this was the day and this was the case. He hoped so.

Do you know why we’re all happy here, monsieur? Because it’s the last house on the road.

Our lives are like a house. Some people are allowed on the lawn, some onto the porch, some get into the vestibule or the kitchen. The better friends are invited deeper into our home, into our living room.''And some are let into the bedroom,' said Gamache.

…while men and women perished, and cities fell, symbols endured, grew. Symbols were immortal.

The bistro was his secret weapon in tracking down murderers. Not just in Three Pines, but in every town and village in Quebec. First he found a comfortable café or brasserie, or bistro, then he found the murderer. Because Armand Gamache knew something many of his colleagues never figured out. Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost.Gamache's job was to collect the evidence, but also to collect the emotions. And the only way he knew to do that was do get to know the people. To watch and listen. To pay attention, and the best way to do that was in a deceptively casual way in a deceptively casual setting.Like the bistro.

I saw a lot of men die there. Most men. Do you know what killed them?”…”Despair,” said Finney. “They believed themselves to be prisoners. I lived with those men, ate the same maggot-infested food, slept in the same beds, did the same back-breaking work. But they died and I lived. Do you know why?” “You were free.” “I was free. Milton was right…the mind is its own place. I was never a prisoner. Not then, not now.

They were home. He always felt a bit like a snail, but instead of carrying his home on his back, he carried it in his arms.

I often think we should have tattooed on the back of whatever hand we use to shoot or write, 'I might be wrong.