Raymond Carver Quotes

I don't fire up the prose. I just tell it straight and don't fool around with it.

They had laughed. They had leaned on each other and laughed until the tears had come, while everything else--the cold, and where he'd go in it--was outside, for a while anyway.

She serves me a piece of it a few minutesout of the oven. A little steam risesfrom the slits on top. Sugar and spice -cinnamon - burned into the crust.But she's wearing these dark glassesin the kitchen at ten o'clockin the morning - everything nice -as she watches me break offa piece, bring it to my mouth,and blow on it. My daughter's kitchen,in winter. I fork the pie inand tell myself to stay out of it.She says she loves him. No waycould it be worse.

V.S. Pritchett's definition of a short story is 'something glimpsed from the corner of the eye, in passing.' Notice the 'glimpse' part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we're lucky -- that word again -- have even further ranging consequences and meaning. The short story writer's task is to invest the glimpse with all that is in his power. He'll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things -- like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes.

Happiness. It comes onunexpectedly. And goes beyond, really,any early morning talk about it.

there isn't enough of anythingas long as we live. But at intervalsa sweetness appears and, given a chanceprevails.

But I can hardly sit still. I keep fidgeting, crossing one leg and then the other. I feel like I could throw off sparks, or break a window--maybe rearrange all the furniture.

I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.