Fernando Pessoa Quotes

There's no greater proof of an impoverished mind than its inability to be witty except at other people's expense.

I hesitate in everything, often without knowing why. How often I've sought – as my own version of the straight line, seeing it in my mind as the ideal straight line – the longest distance between two points. I've never had a knack for the active life. I've always taken wrong steps that no one else takes; I've always had to make an effort to do what comes naturally to other people. I've always wanted to achieve what others have achieved almost without wanting it. Between me and life there were always sheets of frosted glass that I couldn't tell were there by sight or by touch; I didn't live that life or that dimension. I was the daydream of what I wanted to be, and my dreaming began in my will: my goals were always the first fiction of what I never was.

I'm almost convinced that I'm never awake. I'm not sure if I'm not in fact dreaming when I live, and living when I dream, or if dreaming and living are for me intersected, intermingled things that together form my conscious self.

I’m curious about everyone, hungry for everything, greedy for all ideas. My awareness that not everything can be seen, not everything read and not everything thought torments me like the loss of ..... But I don’t see with fixed attention, I don’t read with great care, and I don’t think with continuity. I’m an ardent and inconsequential dilettante in everything. My soul is too weak to sustain the force of its own enthusiasm. Made out of ruins of the unfinished, I’m definable as a landscape of resignations.

The human soul is an abyss

Children are particularly literary, for they say what they feel not what someone has taught them to feel.

With slight misconceptions of reality we fabricate our hopes and beliefs, and we live off crusts that we call cakes, like poor children who make-believe they’re happy.

My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.