Adrienne Rich Quotes

Birds and periodic blood.Old recapitulations.The fox, panting, fire-eyed,gone to earth in my chest.How beautiful we are,he and I, with our auburnpelts, our trails of blood,our miracle escapes,our whiplash panic flogging us onto new miracles!They’ve supplied us with pillsfor bleeding, pills for panic.Wash them down the sink.This is truth, then:dull needle groping for the spinal fluid,weak acid in the bottom of the cup,foreboding, foreboding.No one tells the truth about truth,that it’s what the fox sees from his scuffled burrow:dull-jawed, onrushingkiller, being thatinanely single-mindedwill have our skins at last.

A language is a map of our failures

Those who speak largely of the human condition are usually those most exempt from its oppressions - whether of sex, race, or servitude.

But it is the subjects, the conversations, the facts we shy away from, which claim us in the form of writer's block, as mere rhetoric, as hysteria, insomnia, and constriction of the throat.

Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.

A poem can't free us from the struggle for existence, but it can uncover desires and appetites buried under the accumulating emergencies of our lives, the fabricated wants and needs we have had urged on us, have accepted as our own. It's not a philosophical or psychological blueprint; it's an instrument for embodied experience.

I don't trust them but I'm learning to use them.

Was it worth while to lay— with infinite exertion—a roof I can't live under? —All those blueprints, closings of gaps,measurings, calculations? A life I didn't choose chose me: even my tools are the wrong ones for what I have to do. I'm naked, ignorant, a naked man fleeing across the roofs who could with a shade of difference be sitting in the lamplight against the cream wallpaper reading—not with indifference—about a naked man fleeing across the roofs.