Anna Quindlen Quotes

A finished person is a boring person.

The thing about old friends is not that they love you, but that they know you. They remember that disastrous New Year's Eve when you mixed White Russians and champagne, and how you wore that red maternity dress until everyone was sick of seeing the blaze of it in the office, and the uncomfortable couch in your first apartment and the smoky stove in your beach rental. They look at you and don't really think you look older because they've grown old along with you, and, like the faded paint in a beloved room, they're used to the look. And then one of them is gone, and you've lost a chunk of yourself. The stories of the terrorist attacks of 2001, the tsunami, the Japanese earthquake always used numbers, the deaths of thousands a measure of how great the disaster. Catastrophe is numerical. Loss is singular, one beloved at a time.

I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.

I prize my downtime, count on it as a writer, a parent, a person. Sometimes I think of Woody Allen's remark about masturbation, that it is sex with someone he loves. I feel as though being alone is hanging out with someone I like.

We read in bed because reading is halfway between life and dreaming, our own consciousness in someone else's mind.

the joy of someone who had been a reader all her life, whose world had been immeasurably enlarged by the words of others.

A man who builds his own pedestal had better use strong cement.

I read and reread and recommended and rarely rejected, became one of those readers who will read trashy stories as long as they're not too terrible--well, even perhaps the truly terrible ones--and will reread something she's already read, even if it's something like a detective novel, when you'd suspect that knowing who had really killed the countess would materially detract from the experience. (It doesn't, and besides, I often can't remember who the murderer was in the first place.)

Our love of lockstep is our greatest curse, the source of all that bedevils us. It is the source of homophobia, xenophobia, racism, sexism, terrorism, bigotry of every variety and hue, because it tells us there is one right way to do things, to look, to behave, to feel, when the only right way is to feel your heart hammering inside you and to listen to what its timpani is saying.

H.L. Mencken once said that Puritanism is the haunting fear that someone, somewhere, may be having a good time. As she looked down at her dead child, Mary Beth realized that the unbearable sense of loss she felt was tempered by gratitude and a kind of relief. There would be no more boyfriends now, no more weekend parties. Ruby would remain pure forever, and for that her mother was deeply grateful. Catholicism is the haunting fear that someone, somewhere may be having a good time . . . with your daughter.

Sometimes I live so much in my mind that I forget what is right before my eyes.

In the woods it was not so much that it was quiet as that the few sounds were loud and distinct, not the orchestra tuning-up of the city but individual grace notes. Birdcalls broken into pieces like a piano exercise, a tree branch snapping sharp and then swishing down and thump on the ground, the hiss of water coming off the mountain.