Pablo Neruda Quotes

Leaning into the afternoons I cast my sad netstowards your oceanic eyes.There in the highest blaze my solitude lengthens and flames,its arms turning like a drowning man's.I send out red signals across your absent eyesthat smell like the sea or the beach by a lighthouse.You keep only darkness, my distant female,from your regard sometimes the coast of dread emerges.Leaning into the afternoons I fling my sad netsto that sea that is thrashed by your oceanic eyes.The birds of night peck at the first starsthat flash like my soul when I love you.The night gallops on its shadowy mareshedding blue tassels over the land.

Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!

I will die kissing your mad cold mouth,embracing the lost bouquet of your body,and searching for the light of your closed eyes

Love brought its tail of pains,its long static beam of thorns,and we close our eyes so that nothing,so that no wound will separate us.

Love is so short, forgetting is so long.

Sufre mas el que espera siempreque aquel que nunca espero a nadie?Does he who is always waiting suffer more than he who’s never waited for anyone?

No, my dog used to gaze at me,paying me the attention I need,the attention requiredto make a vain person like me understandthat, being a dog, he was wasting time,but, with those eyes so much purer than mine,he’d keep on gazing at mewith a look that reserved for me aloneall his sweet and shaggy life,always near me, never troubling me,and asking nothing.

Take bread away from me, if you wish,take air away, butdo not take from me your laughter.Do not take away the rose,the lance flower that you pluck,the water that suddenlybursts forth in joy,the sudden waveof silver born in you.My struggle is harsh and I come backwith eyes tiredat times from having seenthe unchanging earth,but when your laughter entersit rises to the sky seeking meand it opens for me allthe doors of life.My love, in the darkesthour your laughteropens, and if suddenlyyou see my blood stainingthe stones of the street,laugh, because your laughterwill be for my handslike a fresh sword.Next to the sea in the autumn,your laughter must raiseits foamy cascade,and in the spring, love,I want your laughter likethe flower I was waiting for,the blue flower, the roseof my echoing country.Laugh at the night,at the day, at the moon,laugh at the twistedstreets of the island,laugh at this clumsyfool who loves you,but when I openmy eyes and close them,when my steps go,when my steps return,deny me bread, air,light, spring,but never your laughter.

Come see the cherry trees of a water constellationand the round key of the rapid universe,come touch the fire of instantaneous blue,come before its petals are consumed.

Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.To hear the immense night, still more immense without her,And the verse falls to the snow like dew to the pasture.

And so this letter endswith no sadness:my feet are firm upon the earth,my hand writes this letter on the road,and in the midst of life I shall bealwaysbeside the friend, facing the enemy,with your name on my mouthand a kiss that neverbroke away from yours.

I love you like the plant that does not bloomand carries in itself, hidden, the light of those flowers,

Love, my territory of kisses and volcanoes.

I am no longer in love with her, that's certain, but maybe I love her. Love is so short, forgetting is so long.

Por que en las epocas oscurasse escribe con tinta invisible?Why in the darkest agesdo they write with invisible ink?

By night, beloved, tie your heart to mineand let them both in dreams defeat the darkness

You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.

Each in the most hidden sack keptthe lost jewels of memory,intense love, secret nights and permanent kisses,the fragment of public or private happiness.A few, the wolves, collected thighs,other men loved the dawn scratchingmountain ranges or ice floes, locomotives, numbers.For me happiness was to share singing,praising, cursing, crying with a thousand eyes.I ask forgiveness for my bad ways:my life had no use on earth.

I know you exist not just because your eyes flyand give light to things like an open window

yo te amo para comenzar a amarte,para recomenzar el infinitoy para no dejar de amarte nunca:por eso no te amo todavía.

I repeated: come with me, as if I were dying,and no one saw in my mouth the moon that was bleeding,no one saw the blood that was rising into the silence.Oh love, now let us forget the star with thorns!

It’s well known that he who returns never left

Here I came to the very edge where nothing at all needs saying, everything is absorbed through weather and the sea, and the moon swam back, its rays all silvered, and time and again the darkness would be broken by the crash of a wave, and every day on the balcony of the sea, wings open, fire is born, and everything is blue again like morning.

Over your breasts of motionless current,over your legs of firmness and water,over the permanence and the prideof your naked hairI want to be, my love, now that the tears arethrowninto the raucous baskets where they accumulate,I want to be, my love, alone with a syllableof mangled silver, alone with a tip of your breast of snow.

Sólo con una ardiente paciencia conquistaremos la espléndida ciudad que dará luz, justicia y dignidad a todos los hombres. Así la poesía no habrá cantado en vano.

LXXIXWhen I die, I want your hands on my eyes.I want the light and wheat of your beloved hands to pass their freshness over me once moreLI want to feel the softness that changed my destiny.I want you to live while I wait for you, asleep.I want your ears still to hear the wind, I want you to sniff the sea's aroma that we loved together,to continue to walk on the sand we walk on.I want what I love to continue to live,and you whom I love and sang above everything else.to continue to flourish, full-flowered.So that you can reach everything my love directs you to. So that my shadow can travel along in your hair,so that everything can learn the reason for my song.

Don't go far off, not even for a day,because I don't know how to say it - a day is longand I will be waiting for you, as inan empty station when the trains areparked off somewhere else, asleep.Don't leave me, even for an hour, because thenthe little drops of anguish will all run together,the smoke that roams looking for a home will driftinto me, choking my lost heart.Oh, may your silhouette never dissolveon the beach, may your eyelids never flutterinto the empty distance. Don't LEAVE me fora second, my dearest, because in that moment you'llhave gone so far I'll wander mazilyover all the earth, asking, will youcome back? Will you leave me here, dying?

Joyful, joyful, joyful,as only dogs know how to be happywith only the autonomyof their shameless spirit.

I love all things, not only the grand but the infinitely small: thimble, spurs, plates, flower vases.....

In this part of the story I am the one whodies, the only one, and I will die of love because I love you,because I love you, Love, in fire and in blood.

I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.

Take bread away from me, if you wish,take air away, butdo not take from me your laughter.

Body of a woman, white hills, white thighs,you look like a world, lying in surrender.My rough peasant's body digs in youand makes the son leap from the depth of the earth.I was lone like a tunnel. The birds fled from me,and nigh swamped me with its crushing invasion.To survive myself I forged you like a weapon,like an arrow in my bow, a stone in my sling.But the hour of vengeance falls, and I love you.Body of skin, of moss, of eager and firm milk.Oh the goblets of the breast! Oh the eyes of absence!Oh the roses of the pubis! Oh your voice, slow and sad!Body of my woman, I will persist in your grace.My thirst, my boundless desire, my shifting road!Dark river-beds where the eternal thirst flowsand weariness follows, and the infinite ache.

I shivered in thosesolitudeswhen I heardthe voiceofthe saltin the desert.

Carnal apple, Woman filled, burning moon,dark smell of seaweed, crush of mud and light,what secret knowledge is clasped between your pillars?What primal night does Man touch with his senses?Ay, Love is a journey through waters and stars,through suffocating air, sharp tempests of grain:Love is a war of lightning,and two bodies ruined by a single sweetness.Kiss by kiss I cover your tiny infinity,your margins, your rivers, your diminutive villages,and a genital fire, transformed by delight,slips through the narrow channels of bloodto precipitate a nocturnal carnation,to be, and be nothing but light in the dark.

Oh invade me with your scalding mouth,search me if you like, with your nocturnal eyes,but allow me to sail and sleep upon your name.