Philip Larkin Quotes

Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can, And don't have any kids yourself.

If grief could burn outLike a sunken coal,The heart would rest quiet, The unrent soulBe still as a veil; But I have watched all nightThe fire grow silent, The grey ash soft:And I stir the stubborn flintThe flames have left, And grief stirs, and the deftHeart lies impotent.

Maiden Name Marrying left your maiden name disused. Its five light sounds no longer mean your face, Your voice, and all your variants of grace; For since you were so thankfully confused By law with someone else, you cannot be Semantically the same as that young beauty: It was of her that these two words were used. Now it's a phrase applicable to no one, Lying just where you left it, scattered through Old lists, old programmes, a school prize or two Packets of letters tied with tartan ribbon - Then is it scentless, weightless, strengthless, wholly Untruthful? Try whispering it slowly. No, it means you. Or, since you're past and gone, It means what we feel now about you then: How beautiful you were, and near, and young, So vivid, you might still be there among Those first few days, unfingermarked again. So your old name shelters our faithfulness, Instead of losing shape and meaning less With your depreciating luggage laden.

What do they think has happened, the old fools,To make them like this? Do they somehow supposeIt's more grown-up when your mouth hangs open and drools,And you keep on pissing yourself, and can't rememberWho called this morning? Or that, if they only chose,They could alter things back to when they danced all night,Or went to their wedding, or sloped arms some September?Or do they fancy there's really been no change,And they've always behaved as if they were crippled or tight,Or sat through days of thin continuous dreamingWatching the light move? If they don't (and they can't), it's strange;tttWhy aren't they screaming?

Poetry is an affair of sanity, of seeing things as they are.

Empty-page staring again tonight. It's maddening. I suppose people who don't write (like the Connollies) imagine anything that can be though can be expressed. Well, I don't know. I can't do it. It's this sort of thing that makes me belittle the whole business: what's the good of a 'talent' if you can't do it when you want to? What should we think of a woodcarver who couldn't woodcarver? or a pianist who couldn't play the piano? Bah, likewise grrr.

SEX is designed for people who like overcoming obstacles.

You know, I know I should be just as panicky as you about the filthy work - one wants to do nothing in the evenings, certainly not spread rotten books around & dredge for a 'line'. It must be like still being a student, with an essay to do after a week's drinking, only you haven't had the drinking. Quite clearly, to me, you aren't a voluntary worker, from the will: you do it by intuitive flashes, more like an act of creation, & when the flashes don't come, as of course they don't, especially when the excess energy of undergraduate days is gone, then it is a hideous unnatural effort.

Often one spends weeks trying to write a poem out of the conscious mind that never comes to anything - these are sort of 'ideal' poems that one feels ought to be written, but don't because (I fancy) they lack the vital spark of self-interest. A 'real' poem is a pleasure to write.

MCMXIVThose long uneven linesStanding as patientlyAs if they were stretched outsideThe Oval or Villa Park,The crowns of hats, the sunOn moustached archaic facesGrinning as if it were allAn August Bank Holiday lark;And the shut shops, the bleachedEstablished names on the sunblinds,The farthings and sovereigns,And dark-clothed children at playCalled after kings and queens,The tin advertisementsFor cocoa and twist, and the pubsWide open all day--And the countryside not caring:The place names all hazed overWith flowering grasses, and fieldsShadowing Domesday linesUnder wheat's restless silence;The differently-dressed servantsWith tiny rooms in huge houses,The dust behind limousines;Never such innocence,Never before or since,As changed itself to pastWithout a word--the menLeaving the gardens tidy,The thousands of marriages,Lasting a little while longer:Never such innocence again.

Work is a kind of vacuum, an emptiness, where I just switch off everything except the scant intelligence necessary to keep me going. God, the people are awful - great carved monstrosities from the sponge-stone of secondratedness. Hideous.

It's funny: one starts off thinking one is shrinkingly sensitive & intelligent & always one down & all the rest of it: then at thirty one finds one is a great clumping brute, incapable of appreciating anything finer than a kiss or a kick, roaring our one's hypocrisies at the top of one's voice, thick skinned as a rhino. At least I do.

You can't put off being young until you retire.

The mower stalled, twice; kneeling, I foundA hedgehog jammed up against the blades,Killed. It had been in the long grass.I had seen it before, and even fed it, once.Now I had mauled its unobtrusive worldUnmendably. Burial was no help:Next morning I got up and it did not.The first day after a death, the new absenceIs always the same; we should be carefulOf each other, we should be kindWhile there is still time.

Loneliness clarifies. Here silence standsLike heat. Here leaves unnoticed thicken, Hidden weeds flower, neglected waters quicken, Luminously-peopled air ascends; And past the poppies bluish neutral distance Ends the land suddenly beyond a beach Of shapes and shingle. Here is unfenced existence: Facing the sun, untalkative, out of reach.

Sex means nothing--just the moment of ecstasy, that flares and dies in minutes.