Ray Bradbury Quotes - Page 2

The black land slid by and he was going into the country among the hills. For the first time in a dozen years the stars were coming out above him, in great processions of wheeling fire. He saw a great juggernaut of stars form in the sky and threaten to roll over and crush him... the river was mild and leisurely, going away from the people who ate shadows for breakfast and steam for lunch and vapors for supper. The river was very real; it held him comfortably and gave him the time at last, the leisure, to consider this month, this year, and a lifetime of years. He listened to his heart slow. His thoughts stopped rushing with his blood.

Why then you're as mad as me. No, madder. For I distrust 'reality' and its moron mother, the universe, while you fasten your innocence to fallible devices which pretend at happy endings.

I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.

The entire history of mankind is problem solving, or science fiction swallowing ideas, digesting them, and excreting formulas for survival. You can't have one without the other. No fantasy, no reality. No studies concerning loss, no gain. No imagination, no will. No impossible dreams: No possible solutions.

There were so many things a tree could do: add color, provide shade, drop fruit, or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree.

There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God's voice mingling among the crystal fires.

But that's the wonderful thing about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and worth the doing.

Don't think. Thinking is the enemy of creativity. It's self-conscious and anything self-conscious is lousy. You can't "try" to do things. You simply "must" do things.

For if we're destroyed, the knowledge is dead...We're nothing more than dust jackets for books...so many pages to a person...

From now on I hope always to stay alert, to educate myself as best I can. But lacking this, in Future I will relaxedly turn back to my secret mind to see what it has observed when I thought I was sitting this one out. We never sit anything out.We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.

She didn’t watch the dead, ancient bone-chess cities slide under, or the old canals filled with emptiness and dreams. Past dry rivers and dry lakes they flew, like a shadow of the moon, like a torch burning.

Where's your common sense? None of those books agree with each other. You've been locked up here for years with a regular damned Tower of Babel. Snap out of it! The people in those books never lived. Come on now!

Montag shook his head. He looked at a blank wall. The girl's face was there, really quite beautiful in memory: astonishing, in fact. She had a very thin face like the dial of a small clock seen faintly in a dark room in the middle of a night when you waken to see the time and see the clock telling you the hour and the minute and the second, with a white silence and a glowing, all certainty and knowing what it had to tell of the night passing swiftly on toward further darknesses, but moving also toward a new sun.

We are all bits and pieces of history and literature and international law.

How talented was death. How many expressions and manipulations of hand, face, body, no two alike.

...trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit, or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.

The sidewalks were haunted by dustghosts all night as the furnace wind summoned them up,swung them about, and gentled them down in a warm spice onthe lawns. Trees, shaken by the footsteps of late-night strol-lers, sifted avalanches of dust. From midnight on, it seemed avolcano beyond the town was showering red-hot ashes every-where, crusting slumberless night watchmen and irritabledogs. Each house was a yellow attic smoldering with spon-taneous combustion at three in the morning.Dawn, then, was a time where things changed element forelement. Air ran like hot spring waters nowhere, with nosound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serenevapors. Tar was poured licorice in the streets, red bricks werebrass and gold, roof tops were paved with bronze. The high-tension wires were lightning held forever, blazing, a threatabove the unslept houses. The cicadas sang louder and yet louder. The sun did not rise, it overflowed.

Memory is an illusion, nothing more. It is a fire that needs constant tending.

I don't believe in colleges and universities. I believe in libraries because most students don't have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn't go to college, so I went to the library three days a week for 10 years.

You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.

Look for the little loves. Find and shape the little bitternesses.

When a man talks from the heart, in his moment of truth, he speaks poetry.

Love. Fall in love and stay in love. Write only what you love, and love what you write. The word is love. You have to get up in the morning and write something you love, something to live for.

Sandwich outdoors isn’t a sandwich anymore. Tastes different than indoors, notice? Got more spice. Tastes like mint and pinesap. Does wonders for the appetite.

One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more...

If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none... Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.

Writing is supposed to be difficult, agonizing, a dreadful exercise, a terrible occupation.

Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?""Because I like you," she said, "and I don't want anything from you.

Or maybe he means in a richer world the begging population is melting away. But no to that too. So maybe, perhaps, he means there aren't many 'human beings' left to look, see, and understand well enough for one to ask and one to give. Everyone busy, running, jumping, there's no time to study one another. But I guess that's bilge and hogwash, slop and sentiment.

Silence. Montag sat like a carved white stone. The echo of the final hammer on his skull died slowly away into the black cavern where Faber waited for the echoes to subside. And then when the startled dust had settled down about Montag's mind, Faber began, softly, "All right, he's had his say. You must take it in. I'll say my say, too, in the next hours. And you'll take it in. And you'll try to judge them and make your decisions as to which way to jump, or fall. But I want it to be your decision, not mine, and not the Captain's. But remember that the Captain belongs to the most dangerous enemy to truth and freedom, the solid unmoving cattle of the majority. We all have our harps to play. And it's up to you now to know with which ear you'll listen.