Susan Griffin Quotes

When we hear that "war" is made for "peace", or that "pain" is sought for "pleasure" or that "brutality" helps one "feel", in our minds, language ceases to describe reality. Words lose their direct relationship with actuality. And thus language and culture begin to exist entirely independently of nature.

This is often the way one moves into the future. For what you begin to see, there is no ready language. If you were to remain silent, listen, perhaps in response you might be able to move in a new way. Glide into it slowly, aware of every slight difference, skin and cells intelligent, reading. But trained as you are in certain regimens, chances are you proceed directly according to the old patterns, trying again what was tried before.

I am beginning to believe that we know everything, that all history, including the history of each family, is part of us, such that, when we hear any secret revealed, a secret about a grandfather, or an uncle, or a secret about the battle of Dresden in 1945, our lives are made suddenly clearer to us, as the unnatural heaviness of unspoken truth is dispersed. For perhaps we are like stones; our own history and the history of the world embedded in us, we hold a sorrow deep within and cannot weep until that history is sung.

One can find traces of every life in each life.

The body remembers who we are supposed to be. And in this there is grief.

What is buried in the past of one generation falls to the next to claim.

Before a secret is told one can often feel the weight of it in the atmosphere.

The ability for a woman to be free is connected with her ability to love another woman.

The telling and the hearing of a story is not a simple act. The one who tells must reach down into deeper layers of the self, reviving old feelings, reviewing the past. Whatever is retrieved is reworked into a new form, one that narrates events and gives the listener a path through these events that leads to some fragment of wisdom. The one who hears takes the story in, even to a place not visible or conscious to the mind, yet there. In this inner place a story from another life suffers a subtle change. As it enters the memory of the listener it is augmented by reflection, by other memories, and even the body hearing and responding in the moment of the telling. By such transmissions, consciousness is woven.