American History Quotes

For four centuries now, the American people have resigned themselves to natural disasters and acts of God: floods, prairie fires, blizzards, tornados, hurricanes, dust bowls, epidemics, academics, lawyers, and politicians.

How a member of the church—one who had read the Good Lord’s bible—could sit so calmly and watch a man be led to his destruction frightened me.

A city obsessed by its ghosts seems to be weighted down by a conflicted view of the past. Something close to melancholy: a weight it can't quite let go of, a lingering sadness. And though we don't often think of the United States in these terms, this melancholy is as much a part of our history as our triumphs.

Nations need to constantly reaffirm their historical roots to maintain their political ideals. Motion pictures were one of the media used by nations to accommplish this task. The question one must ask is: Did the colonial films made faithfully represent the period in our nation's history?

Ordinary British soldiers harbored several strange preconceptions of their own. Some were surprised that the colonists wore clothes, thinking they would dress like Indians. Other had expected to encounter roving bands of wild animals in the manner of African jungles. And when a loyalist came aboard one ship to help it into port, the British crew and troops were dumbfounded. "All the People had been of the Opinion," they exclaimed, "that the inhabitants of America were black.

Still, compared to him, compared to the people we descend from, I am free of history. I'm so free of history I have to get in a car and drive seven states to find it.

I did not tell you it would be okay because I never believed it would be okay.

The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression.

For us to change history, we first need to change the future.

In Jazz, like in America, the group works together toward a common cause with lots of room left for each individual to shine.

The heroic and often tragic stories of American whalemen were renowned. They sailed the world’s oceans and brought back tales filled with bravery, perseverance, endurance, and survival. They mutinied, murdered, rioted, deserted, drank, sang, spun yarns, scrimshawed, and recorded their musings and observations in journals and letters. They survived boredom, backbreaking work, tempestuous seas, floggings, pirates, putrid food, and unimaginable cold. Enemies preyed on them in times of war, and competitors envied them in times of peace. Many whalemen died from violent encounters with whales and from terrible miscalculations about the unforgiving nature of nature itself. And through it all, whalemen, those “iron men in wooden boats” created a legacy of dramatic, poignant, and at times horrific stories that can still stir our emotions and animate the most primal part of our imaginations. “To produce a mighty book, you must choose a mighty theme,” proclaimed Herman Melville, and the epic story of whaling is one of the mightiest themes in American history.

Partial skinning may be less painful, perhaps delay unpleasantness, how pain set in breasts, back, and belly offers less agony, some reprieve, while the skinning of fingers, nose, cheeks and lips feels like spears. . .

To celebrate freedom and democracy while forgetting American's origins in a slavery economy is patriotism à la carte.

That was when I realized we weren’t born to beslaves. It was ignorant for any man to think he could be the master of another. We were all meant to be free, and somewhere there were good people helping to heal this broken world.

If slavery persists as an issue in the political life of black America, it is not because of an antiquarian obsession with bygone days or the burden of a too-long memory, but because black lives are still imperiled and devalued by a racial calculus and a political arithmetic that were entrenched centuries ago. This is the afterlife of slavery--skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.

Once people said: Give me liberty or give me death. Now they say: Make me a slave, just pay me enough.

The “pursuit of happiness” is such a key element of the “American (ideological) dream” that one tends to forget the contingent origin of this phrase: “We holds these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” Where did the somewhat awkward “pursuit of happiness” come from in this famous opening passage of the US Declaration of Independence? The origin of it is John Locke, who claimed that all men had the natural rights of life, liberty, and property— the latter was replaced by “the pursuit of happiness” during negotiations of the drafting of the Declaration, as a way to negate the black slaves’ right to property.

I couldn’t figure out if it was fate or faith that had brought me there. How funny those two words sounded when paired together. One was the inevitable, something I could not change in my life, while the other was the hope and belief that I could. These two words were enemies of each other, and one of them was down right dangerous for a slave to have anywhere near his mind.

History is the archaeology of the present and future.