Outdoors Quotes

As Gabe continued to speak, he sounded to be a cheerful and intelligent person, two attributes I have commonly found associated with people who spend most of their time outdoors.-from New River, in the anthology AWAKE IN THE WORLD

We are but faint-hearted crusaders...our expeditions are but tours...half the walk is but retracing our steps. We should go forth on the shortest walks, perchance, in the spirit of stirring adventure, never to return, --prepared to send back our embalmed hearts only as relics to our desolate kingdoms...if you have paid your debts and made your will, and settled all your affairs, and are a free man, then you are ready for a walk.

It is not good for man to be kept perforce at all times in the presence of his species. A world from which solitude is extirpated is a very poor ideal. Solitude, in the sense of being often alone, is essential to any depth of meditation or of character; and solitude in the presence of natural beauty and grandeur, is the cradle of thoughts and aspirations which are not only good for the individual, but which society could ill do without. Nor is there much satisfaction in contemplating the world with nothing left to the spontaneous activity of nature...scarcely a place left where a wild shrub or flower could grow without being eradicated as a weed in the same of improved agriculture. If the earth must lose that great portion of its pleasantness which it owes to things that the unlimited increase of wealth and population would extirpate from it, for the mere support of a larger, but not a better or happier population, I sincerely hope, for the sake of posterity, that they will be content to be stationary...

Zhuang Zhu also meant that the feet as such are small pieces of space, but their vocation (‘walking’) is to articulate the world’s space. The size of the foot, the gap between the legs, have no role, are never lined up anywhere. But they measure all the rest. Our feet form a compass that has no useful function, apart from evaluating distance. The legs survey. Their stride constitutes a serviceable measurement.

Most people spend less time outside than prisoners.

...Away, away, from men and towns, To the wild wood and the downs— To the silent wilderness Where the soul need not repress Its music lest it should not find An echo in another’s mind. While the touch of Nature’s art Harmonizes heart to heart. I leave this notice on my door For each accustomed visitor:— “I am gone into the fields To take what this sweet hour yields;...Awake! arise! And come away! To the wild woods and the plains, And the pools where winter rains Image all their roof of leaves, Where the pine its garland weaves Of sapless green, and ivy dun Round stems that never kiss the sun: Where the lawns and pastures be, And the sandhills of the sea:— Where the melting hoar-frost wets The daisy-star that never sets, And wind-flowers, and violets, Which yet join not scent to hue, Crown the pale year weak and new; When the night is left behind In the deep east, dun and blind, And the blue noon is over us, And the multitudinous Billows murmur at our feet, Where the earth and ocean meet, And all things seem only one In the universal sun.

...there are no new themes for a writer, only new ways of setting down old themes, new eyes to wander among old rocks.

And as we know from the pilgrimage diaries of Swami Ramdas, it is when we renounce everything that everything is given to us, in abundance. Everything: meaning the intensity of presence itself.

Words tend to bounce off nature as they try to deliver nature's language into the hands of another language foreign to it.

The word "landmark" is from the old English "landmearc", meaning 'an object in the landscape which, by its conspicuousness, serves as a guide in the direction of one's course.

Walking with my doggy is so much fun! And she makes me laugh, she makes me run. Licking she likes to make some good new friends, Kindly enough with cyclists who spin with no end.

Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.

The whole concatenation of wild and artificial things, the natural ecosystem as modified by people over the centuries, the build environment layered over layers, the eerie mix of sounds and smells and glimpses neither natural nor crafted- all of it is free for the taking, for the taking in. Take it, take it in, take in more every weekend, every day, and quickly it becomes the theater that intrigues, relaxes, fascinates, seduces, and above all expands any mind focused on it. Outside lies utterly ordinary space open to any casual explorer willing to find the extraordinary. Outside lies unprogrammed awareness that at times becomes directed serendipity. Outside lies magic.

Outside, the dogs whine over the wind. They sense the wolves - they sense the wild. It calls to them, like it calls to me, and I wonder sometimes if we are the only ones who hear it.

Should humans conquer the mountain or should they wish for the mountain to possess them?

But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.

But I would point out that there is another and still more important function of great mountains - the culture not of athletic faculty alone, but of that intellectual sympathy with untamed and primitive Nature which our civilization threatens to destroy. A mountain is something more than a thing to climb. To the many who, on a fine summer day, swarm up Skiddaw or Snowdon by the well-worn pony-paths, it is pure holiday-making; to the few who (in another sense) swarm up Scafell Pinnacel or the Napes needle, it is pure gymnastics; but between or beyond these two classes there are those - pilgrims I call them - who find mountain climbing what only mountains can give, the contact with unsophisticated Nature, the opportunity to be alone, to be out of and above the world of ordinary life, to pass from the familiar sights and surroundings into a cloudland of new shapes and sounds, where one feels the fascination of that undiscoverable secret (I do not know how else to name it) by which every true nature-lover is allured.

Summer on the high plateau can be delectable as honey; it can also be a roaring scourge. To those who love the place, both are good, since both are part of its essential nature. And it is to know its essential nature that I am seeking here. To know, that is, with the knowledge that is a process of living. This is not done easily nor in an hour. It is a tale too slow for the impatience of our age, not of immediate enough import for its desperate problems. Yet it has its own rare value. It is, for one thing, a corrective of glib assessment: one never quite knows the mountain, nor oneself in relation to it. However often I walk on them, these hills hold astonishment for me. There is no getting accustomed to them.

We both loved the birds and animals and plants. We both felt far happier out of doors. I felt a peace in nature that I could never find in the human world, as you know.

The stars were better company anyway. They were very beautiful, and they almost never snored.

You lift your head, you’re on your way, but really just to be walking, to be out of doors. That’s it, that’s all, and you’re there. Outdoors is our element: the exact sensation of living there.

Smart people that like good health spend several hours outdoors daily in the shade of trees.

...Nature becomes your teacher, and from her you will learn what is beautiful and who you are and what is your special quest in life and whither you should go...You live on manna vouchsafed to you daily, miraculously. You stretch out arms for hidden gifts, you year toward the moonbeams and the stars, you listen with new ears to bird's songs and the murmurs of trees and streams....From day to day you keep your log, your day-book of the soul, and you may think at first that it is a mere record of travel and of facts; but something else will be entering into it, poetry, the new poetry of your life, and it will be evident to a seeing eye that you are gradually becoming an artist in life, you are learning the gentle art of tramping, and it is giving you an artist's joy in creation.