Lauren Groff Quotes

He will miss this quiet full of noise: the nighthawks, the way the woods breathe, the things moving unsuspected through the dark. But he will take with him the canisters full of blasted images and have the pleasure of living them again. They are not nothing, the memories.

I had often said that I would write, the wives of geniuses I have sat with. I have sat with so many. I have sat with wives who were not wives, of geniuses who were real geniuses. I have sat with real wives of geniuses who were not real geniuses. In short, I have sat very often and very long with many wives and wives of many geniuses.' Gertrude Stein wrote this in the voice of her partner, Alice B. Toklas, Stein being apparently the genius, Alice apparently the wife. 'I am nothing,' Alice said after Gertrude dies, 'but a memory of her.'...the flashing blues and red made him look ill, then well, then ill again...

And she had pushed, or she hadn't. The result was all the same. There had been no forgiveness for her. But she'd been so very young. And how was it possible, how could parents do this? How could she not have been forgiven?

We need a mass of ancestors at our backs like a balast. Sometimes, we feel it's impossible to push into the future without such a weight behind us, without such heaviness to keep us steady, even if it is imaginary. And the more frightening the future is, the more complicated it seems to be, the more we steady ourselves with the past.

we need a mass of ancestors at our backs as ballast. Sometimes, we feel it's impossible to push into the future without such a weight behind us, without such heaviness to keep us steady, even if it is imaginary. And the more frightening the future is, the more complicated it seems to be, the more we steady ourselves with the past.

...then he blushed and seemed to fade where he stood....When the musical star moved on, Lotto turned to her and silently docked his head on her shoulder for two moments, recharged he turned to face the others.

It's true,' Mathilde said after some time, 'I could breathe fire.'She thought of how Lotto, in later years, had been called the lion. With his dander up, he could roar. He looked leonine too, his carrona of white-shot gold, the fine, sharp cheekbones. He'd leap on stage, offended by some actor flubbing his precious lines, and there he'd pace, sleek and swift with his long lovely body, growling. He could be deadly, fierce, the name was not inapt, but please, Mathilde knew lions. The male lolled beautifully, lazy in the sun. The female, less lovely by miles, was the one who brought back the kill.

Tell me, why did Lotto write a war play? Because works about war always trump works about emotions, even if the smaller, more domestic plays are better written, smarter, more interesting. The war stories are the ones that gets the prizes. But your husband's voice is strongest when he speaks most quietly and clearly.