Imagery Quotes

What we saw in Richard Nixon's face was the panic in his soul. – Richard Goodwin

She raises her hands to the sky and breathes it in, she starts spinning, enjoying the feel and energy of this Africa. She floats, her long skirt swaying with the dry grass in the breeze with her spirals, her sandaled feet covered in dust. She is part of Africa. She has never felt so free and happy.

They spell-caught the sounds of cat paws, the breath of fish, the spittle of birds, the hairs of a woman's beard, and the roots of a mountain, and spun them around the sinews of a bear. That made a bond that looked as fine as a ribbon of silk, but, since it was made of things not in this world, it was so strong nothing in the world could break it.

Lisa was thinking, as she climbed the apparently unending staircase, the she had taken pretty long odds. She had not hesitated to buck the Tiger, Life. Simon Iff had warned her that she was acting on impulse. But--on the top of that--he had merely urged her to be true to it. She swore once more that she would stick to her guns. The black mood fell from her. She turned and looked upon the sea, now far below. The sun, a hollow orb of molten glory, hung quivering in the mist of the Mediterranean; and Lisa entered for a moment into a perfect peace of spirit. She became once with Nature, instead of a being eternally at war with it.

He understood the code of his social class enough to affect an air of indifference about life.

He was always acting, always enveloping himself in artificiality, perhaps to conceal the volcano within.

The world is a book and those who do not travel read only one page.

I often wish I'd got on better with your father,' he said.But he never liked anyone who--our friends,' said Clarissa; and could have bitten her tongue for thus reminding Peter that he had wanted to marry her.Of course I did, thought Peter; it almost broke my heart too, he thought; and was overcome with his own grief, which rose like a moon looked at from a terrace, ghastly beautiful with light from the sunken day. I was more unhappy than I've ever been since, he thought. And as if in truth he were sitting there on the terrace he edged a little towards Clarissa; put his hand out; raised it; let it fall. There above them it hung, that moon. She too seemed to be sitting with him on the terrace, in the moonlight.

What if it tempt you toward the flood, my lord?Or to the dreadful summit of the cliffThat beetles o'er his base into the sea,And there assume some other horrible formWhich might deprive your sovereignty of reasonAnd draw you into madness? Think of it.[The very place puts toys of desperation,Without more motive, into every brainThat looks so many fathoms to the seaAnd hears it roar beneath.]

All my images are self-portraits, even when I'm not in them.

The wheel of life: one generation rises like summer wheat, then withers and falls to seed. The wheel turns - birth, youth, adulthood, parenthood, senescence, death - driven by genetic machinery set in motion so many eons ago. For all its subtleties and infinite beauty, life has but one purpose: to keep the wheel turning.

And after that, I watched our house collapse in on itself and I spent some time lying in the rubble. Then I vanished completely. I wasn't here at all. Then you phoned.

Power is meant to be shared with the goal of empowering others. Hoarded power weakens others and exalts oneself. Power, when grounded in biblical values, serves others by liberating them. It acknowledges that people bear the image of God and treats them in a way that will nurture the development of that image. In so doing, we honor their Creator.

Chronicling the mid-1970s up session with Gerald Ford's clumsiness, the author quotes a medieval maxim that the king has two bodies. The head of state has a physical body like everyone else, but he also represents the body politic, either reflecting its majesty or its weakness.

Twenty minutes into our walk away from the wall put us deep in a forest of fir, pine, cottonwood, and aspen trees. The lush forest floor was alive and danced with shadows cast from an endless parade of swaying trees. As we approached early evening it was cool and peaceful. The sound of the trees moving in the wind high above seemed like a friendly traveling companion, calling us farther and farther into the depths of the forest.

The Greenland fjords are peculiar for the spells of completely quiet weather, when there is not enough wind to blow out a match and the water is like a sheet of glass. The kayak hunter must sit in his boat without stirring a finger so as not to scare the shy seals away. Actually, he can only move his eyes, as even the slightest move otherwise might mean game lost. The sun, low in the sky, sends a glare into his eyes, and the landscape around moves into the realm of the unreal. The reflex from the mirror-like water hypnotizes him, he seems to be unable to move, and all of a sudden it is as if he were floating in a bottomless void, sinking, sinking, and sinking.... Horror-stricken, he tries to stir, to cry out, but he cannot, he is completely paralyzed, he just falls and falls.

When an image depends on the next for a complete meaning, it moves the story and audience along without choking them with pathos

Here we go mother on the shipless ocean.Pity us, pity the ocean, here we go.

It came out sparkling like liquid sky.

]sing to usthe one with violets in her lap]mostly]goes astray

But what becomes of the divinity when it reveals itself in icons, when it is multiplied in simulacra? Does it remain the supreme power that is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God?

This culture of distraction was nothing new. Christianity was born into one.