Interview Quotes

Just think how many books I could've sold if Harry had been a bit more creative with his wand." -[On the success of 50 Shades of Grey]

I had an interview once with some German journalist—some horrible, ugly woman. It was in the early days after the communists—maybe a week after—and she wore a yellow sweater that was kind of see-through. She had huge tits and a huge black bra, and she said to me, ‘It’s impolite; remove your glasses.’ I said, ‘Do I ask you to remove your bra?

I used to take my morning tea at her kiosk and I took an interest in what she was doing. I later learnt she was taking care of her grandchildren. Sadly, she was taken ill and had to close her nylon-walled smoky shack. But all the wit and cunning of the character came from her.

I think people should take mythology much more seriously, because it tells us an awful lot about the history of the human race. We tend to dismiss it as 'fairy tales,' when it isn't. Fairy tales in themselves are about fundamentals of human nature. And they keep being reinvented in different ways. Fantasy acknowledges that, whereas a lot of modern literature is trying to distance itself from 'story,' never mind anything else. Which is why a lot of books are read by the critics, then people buy them, put them on their shelves, and don't really read them much, because they're not very interesting!

No, there is plenty wrong with Negroes. They have no society. They’re robots, automatons. No minds of their own. I hate to say that about us, but it’s the truth. They are a black body with a white brain.

Write like you speak with the 'rhythms of human speech,' as William Zinsser said, and in as few words as possible. Use action verbs to carry water.

Everything will be okay in the end. If it's not okay, then it's not the end.

Having experimented in both poetry and prose, I can say that the two are such loaded words. But neither are quite as weighted as the word “poet”. I think some people can write poetry their whole lives, and never truly BE a “poet”. Whereas I see poets in the wanderers I encounter, the baristas who serve me, and the truckers I, so, love to talk to.To be a poet in my humble opinion is to be a muse of the human experience. I love that I love the idea, that anything can be poetry, it can’t be defined. It’s a feeling, like punk rock. I’m not one for form or structure. I say if your words are visceral and honest, it’s poetry. If you see the beauty of the world and humanity, and you preach it, you’re a poet.

Sometimes people say that we're living in the future, and time's up for science fiction, but I think that never will be, because science fiction really isn't about the future. It's about change and present-day concerns

I'd rather strive for the kind of interview where instead of me asking to introduce myself to society, society asks me to introduce myself to society.

Some artists benefit less from being interviewed than they do from being left alone.

Treating Abuse Today 3(4) pp. 26-33TAT: No. I don't know anymore than you know they're not. But, I'm talking about boundaries and privacy here. As a therapist working with survivors, I have been harassed by people who claim to be affiliated with the false memory movement. Parents and other family members have called or written me insisting on talking with me about my patients' cases, despite my clearly indicating I can't because of professional confidentiality. I have had other parents and family members investigate me -- look into my professional background -- hoping to find something to discredit me to the patients I was seeing at the time because they disputed their memories. This isn't the kind of sober, scientific discourse you all claim you want.

I never read to kill time. Killing time is like killing someone's wife or a child. There is nothing more precious for me than time.

[It's Not About You, Mr. Santa Claus,] is a fun read and a twist on Christmas, because it does involve Santa Claus and Jesus, and it doesn’t say that Santa Claus is bad, but it’s the child explaining to Santa Claus the true reason for the season is Jesus.

R means under 18 accompanied by an adult. Therefore all corporately funded films in the US must be made with the concept that those under the age of 18 are able to view the film. This means all corporately funded films in the US are made for the eyes of children.

Q: Where and when do you do your writing? A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...

It's still strange.

I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world.

You may be thinking that your company has a human resources person who will keep you out of trouble. This is a dangerous misconception. Whether your company has a massive Human Resources Department with hundreds of representatives or a small office with just a single representative, these HR reps are not your advocates. They work for the company, not for you.

It really seems to me that in the midst of great tragedy, there is always the horrible possibility that something terribly funny will happen.

Piracy is the new radio.

There is a point where, as a writer, you grow to hate your characters, their stupid motivations, and their whiny inner dialogues. The only solution I have found to deal with that is to kill the character, resurrect him, then kill him again.

As for reading, I wish I had a magic door to a library where I could go in, read for days and days, and come back in the same minute I left. I'm still looking for the door.